The gallery at the Block Island Airport, a partnership between the Rhode Island State Council on the Arts (RISCA) and the Rhode Island Airport Corporation (RIAC), announced the opening of its summer exhibit featuring works by RI artist Allison Bianco, born and raised in Smithfield.
Bianco’s works use a combination of printmaking processes, namely intaglio and screen print, to depict panoramic landscapes of massive oceans and foreboding skies. Included in the exhibit is a new work featuring the Block Island Ferry.
“As we emerge from these difficult times, we are excited for Allison’s solo show in such a beautiful space. Travelers to and from Block Island are in for a treat. Art show openings are a sign of our state’s incredible creativity, but we are reminded that the arts and culture community was particularly hard hit by the pandemic. The community’s return as a key economic driver continues to be slow.”
Randall Rosenbaum, Executive Director of RISCA
Allison Biancoreceived her MFA in Printmaking (2010) from the University of Hawai’i at Manoa, Honolulu, and her BA in Studio Art (2001) from Mount Holyoke College, South Hadley, Mass. Bianco has recently been awarded a public art commission for New York City public school 671K in Brooklyn for a new, permanent site-specific artwork. Bianco is the recipient of a Visual Arts Sea Grant from the University of Rhode Island and her work was selected for a solo exhibition at The Print Center in Philadelphia as part of their 88th International Competition. Her work is in the collections of the Museum of Fine Arts, Boston; Philadelphia Museum of Art; The New York Public Library; RISD Museum, Providence; Yale University Art Gallery, New Haven; the University of San Diego; and the Hawai’i State Foundation on Culture and the Arts; among others. To learn more about Allison Bianco and her work, visit cadetompkinsprojects.com.
The 2021 exhibitors for the Block Island Gallery were chosen by panelists Kathy Hodge, East Providence, Viera Levitt, Wakefield, and Frank Poor, Wakefield.
Application Fee: $15- 35, visit heragallery.org for coupon codes. Deadline: August 8, 2021 Exhibition Dates: October 16-November 13, 2021 Apply now by clickhere.
Hera Gallery and Educational Foundation presents the National Juried Open Call- Dough. Why is dough as a material so appealing? Is it the promise of what it could bring? How can artists use this malleable material and convey the creative ideas generated from the promise of bread, a sense of comfort, religious connotations, or patiently waiting for the pandemic sourdough from the neighbor to rise? Bread sharing and giving is a primary part of many cultures and communities. How can we express this intimate relationship in this exhibition? By sight, smell, touch?
Why is dough a slang word for money in English? Are we talking about scarcity or abundance? Is dough a metaphor for our cash-driven society that still celebrates people according to their cash value while the nation faces unprecedented food insecurity based on systemic inequality?
Dough, in its many forms, is tangible and alive. Perhaps it connects humanity to something instinctual and essential. From sourdough mania to food lines of unfathomable dimensions, dough has been on our minds for the past year. Did it make its way to your art?
What kind of an exhibition can we “bake” together?
Juror Bio: Catherine M. Piccoli is a food historian, writer, and curator whose work focuses on the intersection of food, culture, memory, and place. She brings a multidisciplinary approach to the Museum of Food and Drink as curatorial director, where she oversees the creation of exhibitions and robust public programming for adults and children. Catherine led the development of MOFAD’s major exhibitions – African/American: Making the Nation’s Table, Chow: Making the Chinese American Restaurant, and Flavor: Making It and Faking It – as well as gallery shows – Highlights from the Collection, Knights of the Raj NYC, and Feasts and Festivals. Previously, Catherine worked as a researcher at the Chicago History Museum and the Heinz History Center. She holds an M.A. in Food Studies from Chatham University and a B.S. with honors in Social and Cultural History from Carnegie Mellon University. Catherine acted as MOFAD’s interim president from March through December 2020.
Governor Dan McKee announced that Mary-Kim Arnold, a Pawtucket-based poet, writer and artist, and Mohamad Farzan, Newport, a founding principal of NewPort Architecture, have been confirmed by the RI Senate to RI Arts Council’s 13-member board. Artist Gretchen Dow Simpson and Dr. Joseph Dowling will be stepping down from their role on the Council.
“On behalf of Rhode Island, I thank Gretchen and Joe for their tenure on the Council and longtime commitment to this important economic sector for Rhode Island. I welcome Mary-Kim and Mohamad, and I am looking forward to their service to the people of our state,” Governor McKee said. “Our Arts Council will be integral in getting the arts and cultural community back to full capacity. The commitment of these individuals on our volunteer Arts Council is even more important today than ever as Rhode Island comes back from the pandemic stronger and better.”
“We are pleased to welcome Mary-Kim and Mohamad to the RISCA board. Their leadership will help us support and serve an arts and culture community that contributes significantly to life in the Ocean State,” said RISCA’s Executive Director Randall Rosenbaum. “Both Mary-Kim and Mohamad have been valued members of the RI cultural community, and their involvement on the RISCA board will help us work broadly and inclusively with artists, arts educators and arts organizations as we emerge from this difficult period.”
Libby Slader, RISCA Chair, said: “The Council is grateful to the Governor for these nominations and to the RI Senate for confirming them. I want to reiterate my thanks to Joe and Gretchen for their service to the state’s Arts Council,” said Libby Slader, RISCA’s Chairperson. “The new Council members have a wealth of expertise and creativity, which allows us to continue our commitment to supporting and encouraging the expansion of the state’s cultural resources, as well as promoting and protecting freedom of artistic expression.”
Mary-Kim Arnold is a poet, writer, and artist. She is the author of the poetry collection, The Fish & The Dove (Noemi Press, 2020) and Litany for the Long Moment, an experimental memoir about her failed search for her Korean birth mother. (Essay Press, 2018). She has been honored by the Asian/Pacific American Librarians Association, and her work has been featured in NPR’s Code Switch. Other writings have appeared in Hyperallergic, Conjunctions, The Denver Quarterly, The Georgia Review, Tupelo Quarterly, The Rumpus, and elsewhere.
Ms. Arnold graduated with Honors from Brown University with a B.A. in English and American Literature. She went on to earn an MFA in Creative Writing from Brown in fiction. After more than a decade working in nonprofit administration, notably as the Executive Director of the Rhode Island Council for the Humanities and later, Director of Evaluation and Learning at the Rhode Island Foundation, she attended the Vermont College of Fine Arts and graduated with an MFA in Poetry. She now teaches in the Nonfiction Writing Program at Brown and in The Newport MFA, a low-residency graduate program at Salve Regina University.
She is the recipient of a 2020 Howard Foundation Fellowship, the 2018 MacColl Johnson Fellowship, and the 2017 Fellowship in Fiction from RISCA. She serves as Senior Editor for Collaborative & Cross-Disciplinary Texts at Tupelo Quarterly.
Adopted from Korea and raised in New York, Ms. Arnold lives in Pawtucket with her husband and children.
Mohamad Farzan, one of NewPort Architecture’s founding principals, has been practicing architecture in Rhode Island for over 25 years. Some of his major projects are: The Opera House/ Newport Performing Arts Center (2004- ongoing), The Newport Congregational Church (2010-ongoing), the Redwood Library and Athenaeum, Newport (2013), published in the Spring 2016 book by RISD Adaptive Reuse Studio, The Newport Art Museum (2011), the Newport Historical Society (2015), the Hope Club, Providence (2004), Carnegie Abbey Golf House, Portsmouth (2000), Vanderbilt Hall hotel and spa, Newport (1998 and 2007), and Salve Regina University’s Fairholme carriage house dormitory, Newport (2000), along with many residential projects throughout New England.
Mr. Farzan received his architectural training at the Architectural Association School of Architecture in London and also holds an MArch from Tehran University. After practicing in London for several years, he moved to the United States, where he worked for Cubelis & Associates, William Starck Architects and Newport Collaborative Architects before helping to found NewPort Architecture. He has been honored with several awards, including the Providence Business News’s Business Excellence Award, Newport Historical Society Preservation Award, and two People’s Choice Awards. In addition, Mr. Farzan has been a visiting critic at the architecture schools at the Rhode Island School of Design and Roger Williams University.
He currently serves on the Rhode Island Historical Preservation and Heritage Commission. Mr. Farzan contributes much of his time to the American Institute of Architects (AIA), having recently completed a term as Regional Director for New England, and was honored as a Richard Upjohn Fellow in 2013. In 2007, he published the AIA Guide to Newport. When time permits, he enjoys sailing, and can be found racing J-22’s on Narragansett Bay.